"Three dotted stripes", 2015. TM on arches paper glued to plywood. 119 x 159 cm.

"Three dotted stripes", 2015. TM on arches paper glued to plywood. 119 x 159 cm.

Installation view.

Installation view.

"Figure with group of people", 1962. Chinese ink on paper, 38 x 46 cm

"Figure with group of people", 1962. Chinese ink on paper, 38 x 46 cm

"80F-77", 2016. TM canvas. 146 x 114 cm.

"80F-77", 2016. TM canvas. 146 x 114 cm.

"100F-79", 2016. TM canvas. 130 X 162 cm.

"100F-79", 2016. TM canvas. 130 X 162 cm.

"30F-77", 2016. TM canvas. 73 x 92 cm

"30F-77", 2016. TM canvas. 73 x 92 cm

"30F-78", 2016. TM canvas. 73 x 92 cm

"30F-78", 2016. TM canvas. 73 x 92 cm

"30F-79", 2016. TM lienzo. 73 x 92 cm

"30F-79", 2016. TM lienzo. 73 x 92 cm

"Clusters", 2005. Oil on metallic mesh. 96 x 106 cm.

"Clusters", 2005. Oil on metallic mesh. 96 x 106 cm.

"80F-78", 2016. TM canvas. 146 x 114 cm.

"80F-78", 2016. TM canvas. 146 x 114 cm.

"Expanded Message", 2015. TM on arches paper glued to plywood. 119 x 159 cm.

"Expanded Message", 2015. TM on arches paper glued to plywood. 119 x 159 cm.

"Parameters", 2015. TM on arches paper glued to plywood. 119 x 159 cm

"Parameters", 2015. TM on arches paper glued to plywood. 119 x 159 cm

Installation view.

Installation view.

Installation view.

Installation view.

View of the showcase.

View of the showcase.

Enrique Brinkmann in his exhibition "Artistic Neuroconexions".

Enrique Brinkmann in his exhibition "Artistic Neuroconexions".

Enrique Brinkmann and Angustias Freijo in the exhibition "Artistic Neuroconexions".

Enrique Brinkmann and Angustias Freijo in the exhibition "Artistic Neuroconexions".

Enrique Brinkmann and Angustias Freijo in the exhibition "Artistic Neuroconexions".

Enrique Brinkmann and Angustias Freijo in the exhibition "Artistic Neuroconexions".

Artistic Neuroconnections

Enrique Brinkmann

from March 9, 2017 to April 29, 2017

Enrique Brinkmann's plastic evolution tends to representations,  within abstraction, which we might think are technological languages, related to sound or to radiophony.

Brinkmann reaches this stage, after passing through his previous series, related to the world of news and wars.

We present nine unpublished works, made during the last two years, and two older pieces to offer a historical context and the author's language.

One represents the abandonment of metal meshes in favour of paper and canvas supports, and the oldest, from the year 62, is a drawing which, in the manner of nostalgia, presents his great personality as a draughtsman, which Enrique Brinkmann developed during these years in various European cities.

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