"Beaten Egg n ° 1", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 2/3

"Beaten Egg n ° 1", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 2/3

"Beaten Egg n ° 2", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies.

"Beaten Egg n ° 2", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies.

"Beaten Egg n° 3", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 1/3

"Beaten Egg n° 3", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 1/3

"Beaten Egg n ° 4", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 3/3

"Beaten Egg n ° 4", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 3/3

"Beaten Egg n ° 7", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 1/3

"Beaten Egg n ° 7", 1999. Inkjet on Hahnemühle cotton paper. 100 x 120 cm Ed. of 3 copies. 1/3

"Spilled milk n° 5", 2000. Inkjet on Hahnemühle cotton paper. 100 x 100 cm Ed. of 3. 2/3

"Spilled milk n° 5", 2000. Inkjet on Hahnemühle cotton paper. 100 x 100 cm Ed. of 3. 2/3

"Spilled milk No. 7", 2000. Inkjet on Hahnemühle cotton paper. 100 x 100 cm Ed. of 3. 2/3

"Spilled milk No. 7", 2000. Inkjet on Hahnemühle cotton paper. 100 x 100 cm Ed. of 3. 2/3

"Spilled milk n ° 8", 2000. Inkjet on Hahnemühle cotton paper. 100 x 100 cm Ed. of 3. 2/3

"Spilled milk n ° 8", 2000. Inkjet on Hahnemühle cotton paper. 100 x 100 cm Ed. of 3. 2/3

Invitation to the opening of Concha Prada's exhibition "Domestic Actions" as part of the LZ46 at Freijo Gallery.

Invitation to the opening of Concha Prada's exhibition "Domestic Actions" as part of the LZ46 at Freijo Gallery.

Domestic Actions

Concha Prada

from March 28, 2019 to April 24, 2019

Determined to give light to the everyday life, Concha Prada displays a passionate and absorbing interest for the details of the domestic in our lives, often associated with women, bestowing them with an alternative meaning. Through the use of colour, gesture or by decontextualising an action, the artist brings us close to abstraction.